Which Model?
Requested by a fellow sonneteer to leave the "legitimate" Italian/Petrarchan model to pen a tribute to Autumn in the Shakespearian, I very reluctantly headed to do so. Interestingly, my initial thoughts as I began, turned into not a tribute to Autumn, but a discussion on both forms/models! A set of two sonnets, one on the models and the second trying to examine the enticement of Shakespeare's. Come to think of it, now I need to write a third to elaborate the delights of the Petrarchan more fully; okay, give me a few days. Meanwhile,....
(sonnet # CCXCVI)
With Shakespeare's form most choose to trace out their
'Loved themes, as Petrarch's model's often deemed
"Too hard" most times with "English" rhymes; esteemed
Too difficult t'express heart's priceless prayer
When only giv'n four measely endings' flair.
Yet the Italian's e'er anon redeemed
It seems, by fact that it alone has gleamed
"Legit'mate," though it's not as debonair.
The Bard's rich varied choices sadly tend
To offer too much freedom I dare say,
As we're oft willing to extend and blend
The options further, loosely dressing yea,
This "most exquisite" frame 'til it does send
Confused notes where were clearer in array.
09Nov11
Sounds like the classic Apollonian (structured) vs. Dionysian (unstructured) ideals Nietzsche liked to espouse. Personally, I don't feel I know enough about the art of sonneteering to comment on the differences between the two forms. I do however know what I like and I do indeed like.
A disciplined and admirably constructed comparison that makes valid points on the science of the sonnet with a deft, artistic flourish. Much literary food for thought served up in the choicest of linguistic morsels.
Ha ha... Hesitancy not withstanding, you have discharged the assignment with verisimilitude and grace, and emerged from the ordeal with a sturdy, and unmarred, conscience : )
I oft times wish I was fluent in Italian Latin and French..... Oh what Poets we should be with those splendid attributes. Kind regards Philip